How to Lose a Guy in 10 Days

How to Lose a Guy in 10 Days Review

How to Lose a Guy in 10 Days Overview

It's the battle of wills, as Andie (Kate Hudson) needs to prove she can dump a guy in 10 days, whereas Ben (Matthew McConaughey) needs to prove he can win a girl in 10 days. Now, the clock is ticking - and the year's most wildly entertaining comedy smash is off and running in this irresistible tale of sex, lies and outrageous romantic fireworks!

How to Lose a Guy in 10 Days Specifications

Kate Hudson twinkles as the heroine of How to Lose a Guy in 10 Days, a magazine writer assigned to date a guy, make all the mistakes girls make that drive guys away (being clingy, talking in baby-talk, etc.), and record the process like a sociological experiment. However, the guy she picks--rangy Matthew McConaughey--is an advertising executive who's just bet that he can make a woman fall in love with him in ten days; if he succeeds, he'll win a huge account that will make his career. The set-up is completely absurd, but the collision of their efforts to woo and repel creates some pretty funny scenes. McConaughey's easy charm and Hudson's lightweight impishness play well together and the plot, though strictly Hollywood formula, chugs along efficiently. At moments Hudson seems to channel her mother, Goldie Hawn, to slightly unnerving effect. --Bret Fetzer

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TCM Greatest Classic Film Collection: Astaire & Rogers (The Gay Divorcee / Top Hat / Swing Time / Shall We Dance)

TCM Greatest Classic Film Collection: Astaire & Rogers (The Gay Divorcee / Top Hat / Swing Time / Shall We Dance) Review

TCM Greatest Classic Film Collection: Astaire & Rogers (The Gay Divorcee / Top Hat / Swing Time / Shall We Dance) Feature

• TCM GREATEST CLASSIC FILMS: ASTAIRE & ROGERS (DVD MOVIE)

TCM Greatest Classic Film Collection: Astaire & Rogers (The Gay Divorcee / Top Hat / Swing Time / Shall We Dance) Overview

THE GAY DIVORCEE (1934) Oscar winner* The Continental revels in precision-dance joy, Cole Porter’s Night and Day sways with timeless grace and Fred and Ginger’s first top billing sets the tone for more film hits to come. SHALL WE DANCE (1937) A George and Ira Gershwin score has Fred tapping to Slap That Bass rhythms of a ship’s engine room and the duo’s Let’s Call the Whole Thing Off skate routine. Pure bliss! SWING TIME (1936) One of the team’s greatest! The Jerome Kern/Dorothy Fields score goes from jubilant (Pick Yourself Up, Bojangles of Harlem) to sublime (the Oscar-winning** The Way You Look Tonight, A Fine Romance). TOP HAT (1935) The pair’s best-remembered film features Fred’s signature Top Hat, White Tie and Tails, the incomparably romantic Cheek to Cheek and more in Irving Berlin’s tip-top score. DISC 1: SIDE A ~ THE GAY DIVORCEE INCLUDES: • 2 Shorts – Show Kids and Star Night at the Cocoanut Grove • Cartoon Shake Your Powder Puff • Audio-Only Bonus: Hollywood on the Air Radio Promo • Theatrical Trailer SIDE B ~ SHALL WE DANCE INCLUDES: • Commentary by Songwriter Hugh Martin and Pianist Kevin Cole • Featurette The Music of Shall We Dance • Musical Short Sheik to Sheik • Cartoon Toy Town Hall DISC 2: SIDE A ~ SWING TIME INCLUDES: • Commentary by John Mueller, Author of Astaire Dancing • Featurette The Swing of Things: Swing Time Step by Step • Musical Short Hotel a la Swing • Cartoon Bingo Crosbyana • Theatrical Trailer SIDE B ~ TOP HAT INCLUDES: • Commentary by Fred Astaire’s Daughter Ava Astaire McKenzie and Film Historian Larry Billman • Featurette On Top: Inside the Success of Top Hat • Comedy Short Watch the Birdie with Bob Hope • Cartoon Page Miss Glory • Theatrical Trailer All 4 Movies – Subtitles: English, Français & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

TCM Greatest Classic Film Collection: Astaire & Rogers (The Gay Divorcee / Top Hat / Swing Time / Shall We Dance) Specifications

Turner Classic Movies' Greatest Classic Films Collection: Astaire & Rogers collects four movies on two double-sided discs, with the bonus features that appeared on the single-disc versions of the movies. The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.

The Gay Divorcee (1934) is their best early picture, a loose adaptation of Astaire's stage show, 'The Gay Divorce.' The only song retained for the movie is Cole Porter's smash hit "Night and Day," which is the setting for a sublime pas de deux between Fred and Ginger. The closer is the sprawling 17-minute ensemble number "The Continental." With a score by Irving Berlin, Top Hat (1935) is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Maybe their most enjoyable picture, Swing Time (1936) features the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Shall We Dance (1937) has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. Bonus features include commentaries on the last three films, featurettes, and vintage shorts and cartoons. --David Horiuchi

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Borrowed Hearts

Borrowed Hearts Review

Borrowed Hearts Feature

• Condition: New
• Format: DVD
• Color; DVD; Full Screen; NTSC

Borrowed Hearts Overview

Sam Field (Eric McCormack), a single, powerful businessman is about to close the biggest deal of his career with industrialist Javier Del Campo (Hector Elizondo), a self-proclaimed family man. Problem is, Sam prefers freedom to fatherhood. To impress Javier during his holiday visit, Sam convinces single mom Kathleen (Roma Downey) and her daughter, Zoey, to pose as his family for cash Kathleen desperately needs. With a little Christmas magic, Sam learns to open his heart to the best gifts of all: love and family.

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Six Days, Seven Nights

Six Days, Seven Nights Review

Six Days, Seven Nights Overview

Big-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche -- VOLCANO, WAG THE DOG), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stranded together on a deserted isle, Quinn and Robin quickly discover all the perils of paradise. As this mismatched pair find themselves facing danger at every turn, you're sure to find their misfortunes fueling one of Hollywood's most entertaining action-comedy hits in years!

Six Days, Seven Nights Specifications

The African Queen meets Swept Away in this sometimes labored romantic comedy by director Ivan Reitman. Fortunately, he cast an old pro in Harrison Ford, as Quinn Harris, a South Seas charter pilot who must ferry New York fashion editor Robin Monroe (Anne Heche) from one island to another--a hop that falls flat when they fly into a mammoth storm that causes them to crash on a deserted island. The pair resent and resist each other, until they are forced to team up to escape from the island--and some modern pirates who want their heads. If that part of the story is unconvincing, you can always focus on the smoldering comic chemistry between Heche, who displays strong comic instincts, and the ever-reliable Ford. The script is just an excuse for these two flinty characters to strike increasingly romantic sparks off each other, which is always enjoyable to watch. --Marshall Fine

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I.Q.

I.Q. Review

I.Q. Overview

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky.

I.Q. Specifications

I.Q. has all the elements of a classic romantic comedy. Certainly Meg Ryan has demonstrated she has the stuff for funny love with films such as When Harry Met Sally... and Sleepless in Seattle, and director Fred Schepisi's Roxanne ranks among top contemporary romantic comedies. Even though Tim Robbins received acclaim for dramatic work in Jacob's Ladder and The Shawshank Redemption, his early comedic work shouldn't be forgotten (well, maybe Howard the Duck, but not the hilarious Sure Thing). And Walter Matthau? No explanation needed.

Combine I.Q.'s talent with its fresh story and it charms. Garage mechanic Ed Walters (Robbins) is captivated at first glimpse by pretty, perky Catherine (Ryan), a gifted academic who lives with her uncle, Albert Einstein (a brilliant Matthau). Catherine is engaged to pretentious James Moreland (the oh-so-appropriate English actor and writer Stephen Fry). Catherine's early 1950s world is all bookish and brainy, even though she has aspirations toward the romantic (Moreland's idea of a honeymoon is the Belgian Congo with Pygmies; she longs for Hawaii). Einstein and his professor pals, played by Lou Jacobi, Gene Saks, and Joseph Maher, conspire to match their beloved Catherine with the sincere and smart (though not intellectual) Ed.

This is a sweet--but not saccharine--story about "engineering" the course of true love and the ironic triumph of heart over head. The topnotch performances (which also include Tony Shalhoub and Frank Whaley as fellow mechanics) really draw audiences into this winning movie. --N.F. Mendoza

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When Harry Met Sally... (Collector's Edition)

When Harry Met Sally... (Collector's Edition) Review

When Harry Met Sally... (Collector's Edition) Overview

"Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan, Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÂ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally?

When Harry Met Sally... (Collector's Edition) Specifications

Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

On the DVD
The Collector's Edition offers seven new featurettes (the previous Special Edition only had one documentary), beginning with a sit-down between director Rob Reiner and writer Nora Ephron waxing nostalgic on how the movie originated: He, recently divorced from Penny Marshall, was a miserable single man, while she was the screenwriter who rejected his initial pitch over lunch ("It was a shame," she remembers, "because we hadn't even eaten yet."). It's easy to see that Reiner is clearly Harry, and Ephron is clearly Sally: He's the squawking chatterbox and she's constantly corrects his memory (Sally's meticulous method of ordering food is also a direct rip-off of Ephron herself). Other featurettes show Billy Crystal's attempts to play Harry (or Reiner, as it were); location filming in New York; the love stories that served as interludes between scenes (again, the counselors-at-camp story is from Ephron's parents); the significance of the film over time; and more discussion on the film's famous question: "Can men and women really be friends?" Most of the stories from the featurettes are recycled in the new film commentary by Reiner, Ephron, and Crystal (Reiner mentions that the "I'll have what she's having" line, spoken by his mother, is in the top 10 of AFI's top 100 movie lines no less than five times overall), but the inclusion of Crystal, who contributed many improvised lines in the movie, makes for a nice easygoing repartee. Fans may be interested to know that Reiner originally thought Harry and Sally shouldn't get together, until he himself fell in love with his future wife on the set, but the most hilarious tidbit involves Reiner storming the production offices and polling all the women on whether or not they "fake it" because didn't believe that really happened. Seven deleted scenes--which were also included in the previous version--and original theatrical trailer round out the set, but Harry Connick Jr.'s "It Had to Be You" music video is missing. Still, the special features are a great look into a romantic comedy that clearly remains a meaningful experience for cast, crew, and audience alike. --Ellen A. Kim

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The Sleeping Dictionary

The Sleeping Dictionary Review

The Sleeping Dictionary Overview

A sexy and comic love story, set in the 1920s, about an idealistic young British colonial officer who arrives in a remote jungle outpost to find himself assigned a local beauty to sleep with him and teach him the language.

The Sleeping Dictionary Specifications

Don't let the title fool you: The Sleeping Dictionary is the most seductive argument for foreign-language education a boy ever had. Hugh Dancy is a young and idealistic colonial official posted to Britain's deep-jungle Sarawak outpost in 1939, and Jessica Alba (Dark Angel) is the "sleeping dictionary," a sexy tutor who proves that the fastest way to learn a language is through lovemaking. Guy Jenkin trades in old clichés for new ones in his revision of the exotic old melodramas of forbidden love between handsome colonial men and gorgeous, guileless native girls. Alba's accent slips and slides but she's a sweet, sexy, and beguiling presence, while Bob Hoskins and Brenda Blethyn uphold the all-important appearance of British morality. If you can overlook the contrivances, it makes for a lush romantic fantasy about the triumph of love over the hypocrisy of so-called civilized society. --Sean Axmaker

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